Shigeru Kawai pianos are a part of a very rare breed of piano, consistently making many ‘Top-10’ lists annually for the finest instruments available. The project was started by the Kawai Corporation’s second president, Shigeru Kawai, and the goal was ambitious: create Japan’s first and finest concert instrument, capable of competing with the very best from Europe.

Started in the early 1970’s, the company first started stock-piling wood before any designs were even on the drawing board. To date, only a few thousand Shigeru Kawai’s have been produced, and each one is individually marked and recorded at the small shop where they are created. In fact, there are little more than a dozen highly-trained artisans who build Shigeru Kawai’s, and each builder is responsible for his own pianos, signing and taking personal ownership of the final product.

The pianos are known for their technical and mechanical perfection, their impeccable attention to detail in every way, and a range of tone and dynamics that very few pianos can compete with.


Shigeru Kawai SK7

why they built it

The Concert-Hall Challenge

Despite Japan’s dominance of the mid-range piano market since the 1970’s, the concert stage has for most of the 20th century belonged to one maker: Steinway. Although the story of Steinway’s success is multi-faceted and stretches over decades, generally it can be boiled down to two reasons. Firstly, the pianos.  Steinway makes very good pianos, and if you go back 100 years to the early 1900’s, the best pianos. Henry Steinway’s company pushed the limits of piano design with hundreds of improvements through the late 1800’s, and the D-278 became the world’s first true concert instrument capable of filling a North American-style hall of 1000+seats. Steinway’s rims, actions, and scale designs combined to create, without a doubt, the most powerful and best projecting piano the world had ever seen, and it quickly became the preferred instrument in large public spaces.

Secondly, Steinway made some equally brilliant business decisions and established, in many ways, the framework for modern luxury retailing. They aggressively pursued product placements, worked to control and maintain price controls across markets, established high levels of management over their franchisees, and above all, built a roster of musicians willing to publicly endorse the piano in exchange for low-cost, consistent instruments to perform on around the world.

Despite many attempts from many builders, this formula of controlling the artists, the venus, and the price (through limited access and tight dealer controls) had been largely impenetrable. Shigeru Kawai knew this, and set his sights on creating a piano that could compete at every level with any concert instrument, including of course, New York Steinway.

Shigeru Kawai Videos



Unique features in the Shigeru Kawai SK2 include the latest version of the Millennium III action, hardwood rim with alternating layers of maple and matoa, cold pressed hammers, and naturally aged soundboard spruce.

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With a lighting fast carbon fiber action, exotic “Ezo” sitka spruce for the soundboard, and cold pressed hammers, these pianos are a real joy for any advanced pianist to play .

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The SK-5 offers a powerful presence that will grace a range of professional venues from studios to intimate recital spaces. There are currently 12 master piano artisans who build the Shigeru Kawai.

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Many musicians and experts consider the SK-6 to be among the top five 7’0″ pianos in the world. Currently this model can be found on many concert stages, churches, and recording studios.

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The SK-7 is a work of art that communicates with true passion, precision and poetry at the hands of the artist. The Shigeru Concert Series line of grands represents Kawai’s ultimate effort to produce a world-class concert quality piano.

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With only 12 Shigeru Kawai EX concert grand pianos produced each year (5 total sold into the Toronto area) these are some of the most rare and exotic concert instruments in the world. The SK-EX is a work of art that communicates with true passion, precision and poetry at the hands of the artist.

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5'11 (180 cm)61" (152 cm)40" (102 cm)714 lbs (324 kg)$83,060$67,733
6'2 (188 cm)61" (152 cm)40" (102 cm)736 lbs (334 kg)$96,660$78,667
6'7 (200 cm)61" (153 cm)40" (102 cm)774 lbs (351 kg)$111,327.00$90,400
7'0 (214 cm)61" (154 cm)40" (102 cm)842 lbs (382 kg)$125,727$101,867
7'6 (229 cm)62" (157 cm)40" (102 cm)882 lbs (400 kg)$139,327$112,800
9'0 (278 cm)63" (158 cm)40" (102 cm)1,111 lbs (504 kg)$285,060$249,333

shigeru Kawai Pianos features & Specifications

Shigeru Kawai Design ConceptThe Concept

Shigeru knew that this new breed of piano would have to be technically more advanced in every area to win the approval of both musicians and technicians. This would include the types of wood chosen, how it was dried, and processed. It would include the action design and durability. It would also include soundboard shape and scale design. And above all else, it would need to be constructed at such a high level of excellence that its quality would never be questioned.

The wood began to be stockpiled in the early 1970’s, including a selection of mahogany, matoa, hard-rock maple, boxwood, hornbeam, ezo spruce, and sitka spruce. This original stockpile was left to dry for more than 25 years for the ultimate in stability.

The rim would be built of the hardest, most dense material possible, and even in the smaller models, rival the thickness and strength of a typical 9′ concert grand. Using Matoa and Hard-Rock Maple, Shigeru Kawai’s are made of the densest rim in the world. Though not quite as thick and strong as Mason & Hamlin’s CC model, the Shigeru rim is capable of an equal level of tonal reflection and structural stability, and exceeds the density and rigidity of Steinway’s Model D.

The soundboard would be made of Ezo Spruce, a native Japanese spruce tree that grows on just a few islands in the country’s north. This wood is a very slow-growth tree with exceptional tonal properties. The grain is very consistent and amongst the narrowest growth rings in the world. It is exceedingly even in its response, and when combined with an ultra-dense rim, was capable of generating well above-average sustaining times.

The action also needed to be of an entirely new design. The Millennium III action now found in many of Kawai’s other grand pianos was actually first developed for the Shigeru Kawai project. Its objectives were clear: maximum control and consistency, extremely quick repetition speed, and well-suited to any style of playing. The introduction of carbon-composite actions allowed for a new standard of precision, and over 100 hours of regulating PER PIANO by a Master Piano Artisan achieved a tolerance that could then be maintained for years (without the variable of wood).

The bridge would be created in the same style as Hamburg Steinway and Fazioli: triple-capped with vertically laminated lengths consisting of mahoganies, maples, and beeches. This would allow maximum transference from the string to the soundboard, but also allow for lateral sympathetic transference along the length of the bridge as well. The result is a surprisingly active and colourful palette in the lower dynamic range.

Shigeru Kawai Perfection

The Visit

Shigeru Kawai was so obsessed with the idea of delivering perfection to every single customer that he instituted several non-negotiable tenants into the fabric of the new company.

  • Restrict production so that the original stockpile can be preserved and replenished with no compromises.
  • Allow only certified Master Piano Artisans to build the pianos, regardless of the effect on production numbers
  • Require that each piano be the personal responsibility of an individual, whose real name would be forever attached with that piano
  • Require that upon delivery of every new Shigeru Kawai piano, a Master Piano Artisan visit the home or institution within the first few months to spend an entire day with the piano, ensuring that every single element of the instrument was perfectly suited for the owners setting and preference, and that every measurable standard set forth by Shigeru was religiously adhered to.

This last point has resulted in something of a mythology around purchasing Shigeru Kawai’s. Most owners will have their own unique story about their visit with the MPA from Japan, whether it be a humorous ‘lost-in-translation’ moment (they really do come from Japan, so their English is not necessarily very good), to the pure pleasure of sitting down at the piano after being in the hands of a true master.


MERRIAM Pianos Locations

Merriam Pianos - Oakville

(416) 639-2186

Merriam Pianos - Vaughan

(416) 639-2187

Merriam Pianos - Robert Lowrey Showroom