C. Bechstein D 282 Concert Grand Piano

Product Overview

The C. Bechstein Concert Series grand pianos represent the pinnacle of piano building. Not a single design or material decision has been made with cost in mind. Virtually every inch of the piano is hand-made to the Nth degree. And while other instruments may feature one or two similarities, not a single production competitor comes even close to consistently selecting the very best at every turn.

The 9 foot C. Bechstein D 282 model was designed and built after extensive discussion and collaboration with several of the world’s most elite concert pianists. A staple of many fine European concert stages, this instrument is known for its incredible dynamic range, an unparalleled degree of colors, laser-like clarity, and a perfectly responsive, rapid-fire action. Quite simply, the D 282 concert grand piano embodies the legend of the C .Bechstein brand as a whole.

With a production time of over 15 months and close to 700 work hours, this handmade-to-the-extreme piano is a true labour of love. A recent re-design of the plate has further increased power and projection, bringing the D 282 to the cutting edge of what a 9 foot concert instrument is capable of. Any concert stage the world over would be elevated by the presence of a D 282 by C. Bechstein.

Action

C. Bechstein reserves its finest action for their Masterpiece series uprights and grand pianos. The D 282 features Bechstein’s “Gold Action”, which indicates both the level of regulation and voicing this action receives, the precision of the componentry, and the hammers which are used. These actions are built to extreme tolerances and undergo many hours of refinement at the factory.

As a result of the fanatical attention these actions receive, they are near perfect out of the box.

Perfectly balanced, beautifully fluid, and capable of the most subtle nuance without being lightly weighted or timid when pushed.

Tone

The tone of the D 282 is in a word; singing. The colours are incredibly rich and varied, void of any of the metallic character often found in other German 9 footers, and the notes literally “bloom” as the strings are struck. The instrument was also built with a particular focus on brilliance so that even folks seated at the very back of a concert hall will not miss even the quietest of notes. The tone is so dynamic that the D 282 is adaptable to virtually any style of music.

Bechstein pianos are known for their singular level of clarity, from the bass to the treble. The D 282 attests to the Bechstein clarity better than any other piano they build. The biggest reason for this clarity is due to the sheer precision of construction and design. Even if you took the finest materials possible, if the design is lacking and the construction is not perfectly executed, this level of clarity will simply not be achieved.

This precision is clearly reflected in the bridge design; the bridge is made of high-quality vertically laminated sycamore maple layers using state-of-the-art CNC technology. Precision down to a hundredth of a millimeter guarantees every ounce of subtlety is captured from the strings.

Hammers

C. Bechstein’s commitment to ensuring as much control over the entire manufacturing process is like few others in the industry, and really shines through when it comes to the hammers. Bechstein is the only European manufacturer who produces their own hammerheads. Not only do they produce their own hammerheads, but every instrument throughout their lineup features a set of hammers custom-tailored to that specific instrument. To do this, Bechstein built their own hammerhead production facility from the ground up located in Germany, which is of course highly unusual in a globalized world culture.

The D 282 features hammers of a dark walnut core, covered with New Zealand wool utilizing a top-secret, traditional proprietary method.The hammers are individually voiced by hand by expert technicians before the piano leaves the factory. The result of manufacturing their own hammers which are then each individually hand voiced? Greater dynamic range and spectrum of tonal colors.

Soundboard

At the center of the D 282 and the main reason for its specific tone is its Italian Red Spruce soundboard, from the famed Val Di’ Fiemme in Italy, grown slowly at elevations of 1,000 meters and higher. This same source of spruce that Stradivarius used for his violins, and C. Bechstein are one of only 2 manufacturers who utilizes this exclusive wood for their grand piano soundboards, the other being Fazioli.

The soundboard design itself is also very interesting and one of the main causes of the “bloom” like nature of the tone; each soundboard is tapered and fashioned as a membrane with its projection surface adjusted to the painos’s specific acoustic assembly, like in violin-making. This membrane design makes the soundboard responsive to the slightest of vibrations without energy loss, allowing for maximum resonance.

Cabinet/Rim

C. Bechstein’s core design philosophy revolves around the idea of activating the entire structure, including the frame and cabinet, and minimizing energy loss as much as possible. This is done through triple joinery, long-aged woods which are highly stable and precision-fitted and using a mix of hardwoods to ensure that no biasing occurs.

The inner rim of the D 282 is made of massive horizontal mahogany and red beech layers. The combination of the soundboard, ribs, and the bridge are inserted and glued into the inner rim, which is then adapted so that it supports the board’s crown. This complex procedure contributes to optimization of the soundboard’s resonance.

The outer rim consists of vertical and horizontal beech layers that are glued together and shaped to achieve optimum solidity. The material is carefully selected to ensure that the case remains highly stable, and perfectly frames the soundboard.

The pinblock needs to be mentioned here as well. The pinblock found in the D 282 is one the most advanced in the world, utilizing a combination of thick and thin solid plains of beech, mahogany, and maple woods, all at alternating angles. It creates incredibly even tension on the pin which remains consistent in different climates, and with superb durability.